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Her love of poetry began during her youth in New England when she discovered the poetry of Robert Frost. She has been reading poetry her entire life and writing poetry since the 1980s. She is active in small poetry writing groups in Tucson. Her poems have appeared in such publications as Lyrical Iowa, Ekphrastic Review, Sandcutters, The Avocet, The Blue Guitar, Creosote, Crosswinds, Fine Lines,The Raw Art Review, and Beyond Words and in anthologies such as Voices from the Plains, The Very Edge, and Night Forest. Her first chapbook of poetry, Into This Sea of Green: Poems from the Prairie, was published by Finishing Line Press in 2020. In 2023 Kelsay Books released her collection, Washed by a Summer Rain: Poems from the Desert.. She has two new collections published in 2024: On Horsebarn Hill: Poems (Kelsay Books) is a collection of poetry reflecting the first nine years of the author's life spent in a farm house on the edge of the University of Connecticut campus. Thread: A Memoir in Woven Poems (FInishing Line Press) consists of poetry/prose hybrids which are presented as a memoir. |
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On Horsebarn Hill. ![]()
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What to Claim And who wouldn't want again.... -Jenny George, "Migration" I'd want the young father letting go of the rear wheel watching the girl fly down the hill on her big sister's bike and the young mother telling her child she could wear anything she wanted to her fifth birthday party- Levi's, boots, flannel shirt. The robins wedged among branches of the silver maple-I'd claim them too and the sister holding a tiny hand as we walk to the school bus stop. I'd capture aromas from the kitchen- pot roast, gingerbread, bacon and even stinky smells-cows, horses, pigs, all that manure. Mostly I'd gather days of energy, freedom, warmth, years when I was part of the clutch, helping build a nest with those I loved.
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Thread: A Memoir in Woven Poems. ![]()
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Synopsis
In Thread: A Memoir in Woven Poems, the author reveals connecting filaments of nature, place, family, and friendship over her lifetime. From a "Snow Day" in childhood to years living "In Paris" to the "Blaze" of a southwest desert to being "Called to Stay" in the Midwest to finally moving "Ahead" into retirement, she weaves prose narrative through her poetry. These hybrids capture the transitions of life in a lyric tapestry.
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"Only connect!" wrote E.M. Forster. "Live in fragments no longer." Janet McMillan Rives exemplifies this calling. "I remember connections," she declares, and it's true. Rives' recollections are painterly. She shows us "blue green agave, muted orchid skies at sunrise, subtle pink reflecting off the mountain side, cool cloudless azure skies." But the thread that securely binds together this hybrid of memoir and poetry is Rives' "open-hearted, open-minded" capacity to connect-with history, place, and most of all, people, especially her readers. "There is no one left in my circle who lived through these moments with me, no one with whom to share. So I write," writes Rives. And-lucky us!-we read. We connect. Thread widens the circle of the writer's life to welcome and include anyone fortunate enough to become interwoven with this honest, lyrical book. –Rachel M. Srubas, author of The Desert of Compassion, The Girl Got Up and other books. |
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